Parachute Advanced Oil

Saturday night I watched the movie by Gus Van Sant "Milk" with Sean Penn . And 'the biography of the last years of the first openly gay man to hold public office and politics in America in the late '70s. Beyond the value of "militant" of the film for me is worth far more as a great metaphor for change and celebration. Change yourself and then change cose.Certo the first (and most difficult) is to change themselves. Change does not mean more to become what we are, but it means leaving aside what we believe to be or what others want us to go rather more in touch with our true nature with this we want, we feel, we believe and what we can actually become if only we trust and support of our dormant potential. Some would rather die than change. We are all a bit 'lazy and rarely do we really strive, unless something does not force us, or we suffer to the point of being willing to do anything to relieve the pain, whether physical or mental, emotional or financial. When we talk about changes we would always be others to implement them, not us. We want others to do it, giving it a different life. Transforming oneself means to accept and live our fears. Fears that can be varied, as evidenced by the film: the fear of being killed or più semplicemente nell’accettare una donna (o più metaforicamente il pensiero femminile o la diversità) all’interno di un gruppo di soli uomini. Cambiare se stessi vuol dire cambiare punto di vista sulle cose o su alcuni pregiudizi, e il cambiamento può arrivare dopo un viaggio in Europa. Cambiare se stessi vuol dire avere il fegato di rimangiarsi le cose dette in precedenza. Cambiare può significare liberarsi dal senso di colpa, di isolamento, di separazione o solitudine di rabbia, paura o dolore: da sentimenti ed atteggiamenti che causano diffidenza verso il futuro e che condizionano la nostra mente e ci creano difficoltà invece di condurci verso la conquista di nuovi obiettivi. Cambiare vuol poter dire allontanarci da una persona which proves not to understand us and not amarci.Ed is only after this change the "personal" that inevitably follows the protagonists of the film change the status quo around them. In recognizing the needs of homosexuals realize those of others (blacks, the elderly, minorities ...). The change hinges on the fact that deep and genuine contact with yourself first. How can the structures, in fact, if people do not even feel the need for change and is it the end of the film that explodes the cathartic force of Osa, of the lift is at stake. E 'in crossing their limits MILK feels even more alive and that practical experience in its ability to change reality with his contribution. Risk and decides not to be limited by preconceived ideas of himself, not to depend on resigning from his fears and his (natural) uncertainties. And it also needs the group of "friends" of conscience and must win the battle account of the inner isolation. The film despite being set 30 years ago, shows us a very current reality. Even today we have lots of external communications - internet, mobile phones, email, fax - but it's all superficial communication. There is a lot of communication and very little communion. Escape routes are many: alcohol drugs, sex was only for ... Ours is a society in which the activity è esagerata e la comunicazione eccessiva, senza nessun momento di solitudine, senza nessuna pausa. Le pause sono molto importanti, nel parlare, come in musica; quando mancano le pause, in un dialogo, la comunicazione rimane solo superficiale. E infatti la vera “forza” a MILK la danno delle telefonate private, dove lui ascolta più che parlare come è costretto a fare nei comizi. Telefonate quasi con una forma primordiale di se stesso che gli danno la possibilità di vedersi a ritroso, come sarebbe stata la sua vita senza gli effetti del cambiamento che ha avuto la forza di intraprendere.
Voto: 5 stelline (su cinque)